The most commonly seen, used, and most convenient to use in movies, and balanced weapon in all aspects of the workshop. It can be said to be the representative black of the West, Longsord. Longsword is a weapon with excellent versatility in many ways, such as throwing away the shield, grabbing the foamel, and cutting or stabbing it strongly when you meet a strong enemy. In addition, the combination of the balanced weapon Longsod and the shield that provides the best defense has always been the main focus in that it has been recognized for its effectiveness, easiest to learn, and easy for beginners to use, and impregnable defense. In that sense, today we will learn how to use shields and various weapons. 1. Basic posture First of all, the basic posture of using a sword and shield is to hold the sword in your right hand and the shield in your left hand and hold the sword with the shield attached to your body. Here, the position of raising the sword is divided into high, middle, and white, and high is to raise the hand holding the sword high. A mudeul puts a sword on the waist and points the tip of the sword obliquely to the enemy at the same height as the shield. White refers to turning the club back when hitting and holding it back as if hitting. In the high posture, it is a common cut, and in the middle posture, it checks the enemy with a check dagger or stab, and in the white posture, it can make a strong smashing blow. (Although it is an example of a long-sod used with one hand, it shows a good attack in the white posture. It should be noted that when you lift a shield, your feet should not go in front of the shield and you don't lift your feet) All these postures can be changed freely and connected in one movement. The range of defense that prevents the enemy's attack is mainly the face and corner of the shield, and the guard of the sword and the blade of the sword. 2. Confrontation against the enemy Scope to attack the enemy: Shield is a weapon that provides very strong defense, and the exposed part of the sword-bearing hands, head, legs, and torso is the only place we can attack the enemy. However, we must think that shields cannot defend every part and reveal loopholes at different points. If you raise it to defend your head, your legs are defenseless, if you lower the shield, your shoulders and head are defenseless, and if you tilt the shield, your right shoulder will be exposed. Also, the hand that came out for the attack can be an important range of attacks. The problem is that the enemy must reveal these weaknesses, and we can expose them by painting them. The important thing is that the moment we tilt the shield to make a powerful blow shouldn't be an opportunity for the enemy. (Expose a loophole - "Why did I do that?" Battle of the enemy with the sword: In this situation, it's a great interest to us that the pattern changes dramatically depending on the type of shield. In the 16th century, Buckler, who shows an example of lightweight equipment with the advent of guns, has relatively little scope to defend himself, so it cannot be defended just by holding it passively, but it has no choice but to be a good presence without learning to actively defend against enemy attacks. In addition, since the shields are small, there are relatively many loopholes, so they cannot be approached recklessly, and this environment has created a form of battle in which they find loopholes a little apart and attack each other. However, the medieval battle, or shield at this time, was forced to deal with shields with high ranges of defenses such as tower shields and kite shields, so no matter how hard it was to attack the shield, and loopholes were almost impossible to damage the enemy. This advantage played a major role in ensuring that shields were active in the modern era as universal equipment anywhere in China, India, Europe, and the Middle East. Then, what should we do with an enemy with such excellent defense? It can be answered by searching for medieval battle records and textbooks. The battle between shields and shields at this time is largely divided into two types, one of which is "painting" referred to in Unit and the other of which is a physical fight to be said from now on. Painting was also widely used as a way to attack enemy loopholes relatively safely while keeping a little distance from the enemy, but painting itself was difficult to achieve in the case of relatively skilled soldiers (regular drivers began to abandon shields as armor developed). In addition, if you use painting freely, the user himself needs to be skilled in many ways, so let's move on to what was explained in Unit. Then, what took place the most at the time was physical fights. Here, a variety of technologies and situational reversals are waiting for us seeking new knowledge. First of all, the enemy's shield was emphasized over and over again, but it was an impregnable fortress itself, so in order to succeed in a proper attack, it was approached to the point where the shield met. At this time, the basic attack that took place a lot was a way to push the enemy with a shield to lose the balance of the enemy, and it was a way to cross the sword over the shield and stab the enemy. Another method (the scene of a physical fight) is to hang the shield on the edge of the opponent's shield to the edge of the shield and tilt the shield. The opponent will expose a tremendous gap to unexpected attacks, and the swift attack at this time will bring victory to the attacker. It is also a problem with the shield, which limits the view of the shield, especially the lower part. At this time, a terrifying attack method was developed in which a sword was inserted into the lower part and then cut down to find an X egg that was not well defended. In addition, we can say that the technique of cutting the opponent's leg while looking up at the enemy was useful and widely used by applying The Fighting's Blue Tree different viewing technology. The technology of beating the shield hard with a sword and hitting the enemy with a shield has also been widely used as a very powerful technology. We can easily see what kind of technology this technology is by looking at Diablo 2's Paladine Smit Technology. You can hit your hand or thigh holding the enemy's sword with the edge of the shield. What's important when using all of these techniques is that shield swords should be kept in mind that the moment of attack is the biggest loophole, that the shield should be defended, that the shield should attack and defend with the sword, and that attack and defense should be done at the same time. Even if you know that, you win half. The Two-Hand Sword against the Two-Hand Sword Man can show off its colorful and fast technology compared to the Long Sword, which has only a simple attack, and its range and destructive power are almost incomparable to the Long Sword, which is held with one hand. However, by looking at past records, shield users can easily find themselves in an advantageous position by entering the enemy's weapon range. For example, if you hold the shield high and push the enemy's hand with the enemy's weapon, the enemy will be temporarily in a difficult state to attack, and the shield user will be able to attack the enemy effectively by using the spleen longsode. However, it should be noted that if you lift the shield high recklessly, your legs will be treated. Of course, we have to pay attention to painting in a different dimension, and it's important not to forget that the key to victory is to defend firmly and stick together, keeping in mind that the strong power of the two-hand sword and the long range does not exert much power if it goes inside. Considering that the battle axe against the axe has a center of gravity in front of it, its power or cutting power is not allowed, and most of the battle axe is used with both hands, it is too much to block with a shield. In addition, something big can happen while blocking with a sword, and sometimes the shield is split, so it should always be important to block it with a side, not the edge of the shield, and when the shield is attached to the body, the protruding blade may come into the shield and the thigh may be handled. Of course, this Battle Access reduces its power when it's close to you. (Think about holding and using the axe blade)It can also be seen that the key to victory is to compete. It's mostly similar to the axe of the battle against the iron fence. The response is similar to an ax, but there is no fear of splitting the shield. However, if you get hit even once, you will be roughly absent-minded, so be careful. Wo Hammer is similar. However, when it comes to Warhammer, it will be much more fatal than Mace. The point of victory is to get close to Paulam (Halbud, Buju, Bill, etc.) and Spear (Short, Long, Glave, Partizan). However, in the case of powerful cutting and hitting, especially in the case of Paulam, there is a use of stealing weapons by hanging them on shields or swords, so keep in mind that allowing them a favorable distance may lead to loss of attack. In addition, the hook can be pierced very easily and killed immediately, so you should be particularly careful about the enemy's movement. The key is to defend especially firmly and approach quickly. It can be said that it is an example of a very wrong battle against a plane. Even beginners can use it right away without training, boasting Mace's power to cry and will give him a hell of a blow with additional acceleration on the chain. It is a weapon with much higher attack power compared to its weight, and it is a weapon that is often caught in the corner of the shield and changes its orbit to how your body works. Weapons that are fast, powerful, confusing, and free to change orbit. If the chain is long and broken regardless of whether it is a light glove or a heavy glove, you may need some skill, but you may take away your weapon. Fortunately, this is also a weapon that reduces attack power when it is attached. However, it is also important to note that when defending this weapon, it should be blocked only with a side, not the edge of the shield.
2022년 3월 1일 화요일
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