our ancient clothes

 30% of historical evidence and 70% of imagination when restoring doubles. Clothes make a huge difference in the small atmosphere. If you ask a person who makes a traditional Jjangola costume to make a suit, you can make it a premature martial art. The problem is that 70% of the Korean people's imagination is crude. If you look closely at the painting, the sleeves of the Goguryeo people are wide. If that's summer outfit, I have nothing to say, but it's crazy to wear such wide sleeves on the cold Gaema Plateau. I can only doubt that the martial arts masters who don't care about such details just make it look like they're flapping their clothes. And what we have to suspect here is Oriental painting. Oriental painting is distorted as "artistic" by the artist's style of painting rather than realistic portrayals. What we have to suspect here is that the people who painted Goguryeo murals in the past have learned to paint in China. Just as the ink painting of a suit gives off the smell of a crude jjanggola, it is highly likely that the costumes of the past have been distorted. Of course, even if the clothes have the same structure. Sohae no longer wants to believe in the costumes of Goguryeo, Baekje and Silla, which have been restored so far. Regardless of whether you believe it or not, considering that the restoration of ancient clothes is a process of 30% and 70% imagination, I hope it will be "Korean that can be eaten in the world." We need a different look from China so that Westerners can see it everywhere and say, "Oh, this is Korean style." You might argue that it's a distortion, but a Chinese man who knows Sohae is a dealer in ancient costumes who worked for a broadcasting station, and he's saying that if it's like the Han Dynasty or the Spring and Autumn Warring States period, most of them use their imagination to make clothes. If it's entertainment, shouldn't we move away from Jjang-gola style and show more Korean sense?